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And now we pick up with where the last issue left off and see the rest of the issue with Darla Darling, sort of.
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CBR NEWS: "When we first chatted about "Ant-Man" before issue #1 was released, I compared the series to the brilliant but cancelled FX private eye show "Terriers." And now that four issues have been released it seems like that was an especially apt comparison because it appears that "Ant-Man" is very much a series that blends private detective fiction with superhero stories."
Nick Spencer: "Yeah, I think that's right. It was an astute comparison at the time and I think it's been born out. We've seen Scott putting together his new company and bringing in some colorful companions. So the book is getting to be more an ensemble piece and that's fun. In terms of the future we're going to make sure we put these characters to good use."
So this issue answers the question about what happened with Darla Deering and... ah... yeah....
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So the Marvel solicitations for February came out and one of them immediately caught my attention...
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CBR News: I'm sure Cassie's presence in the book has a lot of people wondering if you're interested in eventually having the her former teammates from the Young Avengers make an appearance in "Ant-Man."
Nick Spencer: Yes, my Tumblr questions are pretty much non-stop about the Young Avengers and whether or not they'll be appearing in the book. What I can say is be patient. Right now at the beginning of the book the focus is very much on Scott and Cassie's relationship and setting up their new status quo. As we go forward, though, you never know.
So the new Ant-Man series has arrived, so let's take a look at a particular scene that caught my attention. Read this to re-familiarize yourself with what has been going on with the character.
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CBR News: Cassie plays the role of normal teenager in the first issue, but she has a lot in common with her dad given that they've both come back from the dead and both have been super heroes. How does that impact her relationship with her father? And do you have plans for the super powered aspect of Cassie's life in "Ant-Man?"
Nick Spencer: Yeah, definitely! Part of the fun of Cassie is that she's very much her father's daughter. So I think a lot of the parallels of their careers as super heroes is a great part of their relationship.
Cassie really became Stature because of her dad and Scott really became Ant-Man because of his daughter. It's a funny thing because I think Scott is very much driven to make sure that Cassie turns out better than he did. The fun thing about that is the personal dynamic of wanting your kids to achieve so much more, but at the same time they can often mirror you. So that's definitely an interesting thing to explore.
3 pages each from Ant-Man #3-5...
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Welcome to my world
Nov. 5th, 2011 09:23 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I had a big think about this in the summer, but recently, I've been thinking about how comic books attract new readers and how welcoming they are. There's an old saying about how "every comic is somebody's first" and comics have to have a go at making it possible for new readers to pick up any book, even if its midstream. There's a lot of advertised "jumping on points" and Marvel's .1 initiative has been a pretty uneven way of their characters, concepts and stories.
In superhero movies, there's always a desire to do an origin story as a way to make the story accessible to new readers. This always frustrates me, especially since Colleen Coover's told the definitive Spider-man story in one panel and six words and Batman's isn't much more than "My parents are deeeeead." We don't need to see James Bond start his military training and changing to HMSS to know that he's a badass, so why have we got to see Green Lantern get his ring? Why can't we just see him be a space cop?
DC's relaunch has made a big deal about being new reader friendly and has by and large jumped into stories. Apart from Supergirl, I'm not aware of any origins being retold, which is nice.
( The story recap )
( The concept recap )
( The character recap )
( The novel recap )
Are comic books really less new-reader friendly than other media? I know that it doesn't take much to pick up a movie and watch it, and that sequels rarely do recaps (though the credits sequence in Incredible Hulk was pretty bloody good). What about for TV? Is it easier to jump into a TV series midstream (and not just soaps, but one with an ongoing narrative like The Shield or Fringe) than it is to jump into an ongoing comics series?
In superhero movies, there's always a desire to do an origin story as a way to make the story accessible to new readers. This always frustrates me, especially since Colleen Coover's told the definitive Spider-man story in one panel and six words and Batman's isn't much more than "My parents are deeeeead." We don't need to see James Bond start his military training and changing to HMSS to know that he's a badass, so why have we got to see Green Lantern get his ring? Why can't we just see him be a space cop?
DC's relaunch has made a big deal about being new reader friendly and has by and large jumped into stories. Apart from Supergirl, I'm not aware of any origins being retold, which is nice.
( The story recap )
( The concept recap )
( The character recap )
( The novel recap )
Are comic books really less new-reader friendly than other media? I know that it doesn't take much to pick up a movie and watch it, and that sequels rarely do recaps (though the credits sequence in Incredible Hulk was pretty bloody good). What about for TV? Is it easier to jump into a TV series midstream (and not just soaps, but one with an ongoing narrative like The Shield or Fringe) than it is to jump into an ongoing comics series?
Hank Pym's 'To Do' List
Oct. 4th, 2010 06:20 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
One unlettered page from the preview for Tim Seeley's Ant-Man and the Wasp miniseries, taken from the preview on CBR.
( Hank apparently likes to think big. )
( Hank apparently likes to think big. )