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One of the reasons I love Tom King is that he’s a very structuralist kind of guy, by opposition to, say, Grant Morrison, who can sometimes be very rigid in terms of a project like "Pax Americana," but most of the time he’s very impressionistic with his structure. Tom is more rigid, in some ways. You know, he loves those nine-panel grids and the very designed types of beats. And I really wanted to go there. Strangely, this is not what this issue is like; there is no nine-panel grid, which I feel like a little bad about it. So I need to work with Tom again, just so I can do the technical nine-panel grid. -- Yanick Paquette
Issue 70 -
